Cally Shadbolt

Square

I work with landscape and a re-imagining of personal space using devices such as glass models, drawing and photography.

I look at perspective, scale, gravity and time, but most especially the orientation and mindscape of the viewer. How does the viewer move through the landscape and how is what is seen and touched translated? Is the landscape sentient, and does it have a voice? How does art speak when confronted with the sublime?